Testimonial & review
A real person saying why it worked. The oldest format in advertising and still the hardest to beat on cold traffic.
Content without the media buy. We commission ad-ready UGC from vetted Indian creators — hooks, scripts and edits included — licensed for your paid channels. No posting required from the creator: you are buying the asset, not the audience.
In this context, UGC does not mean content your customers happened to post. It means content shot by a creator for you to use — a review, a demo, an unboxing, a day-in-the-life with your product in it — delivered as files with usage rights attached. The creator does not have to publish it to their own followers.
That distinction is the whole cost story. In influencer marketing you are renting an audience, and the fee reflects it. In UGC you are commissioning production, so the price reflects the shoot — which is why UGC is usually the cheaper way to fill an ad account with creative that performs.
We start from reasons to buy rather than from a shot list — price, speed, ingredient, occasion, the objection that kills your sale — and write one concept per angle. Then the matching engine picks creators whose voice and audience fit each angle.
Every creator gets a written brief with the hook, the beats, the must-say lines and the things to avoid. Usage rights, term and territory are agreed before anything is shot — buying rights retroactively for content that is already live costs far more.
Creators film in their own space with their own kit. Product shipping is usually the long pole, not filming — which is why UGC turns around in a fraction of the time a studio shoot takes. We chase deadlines and handle the revision round.
You receive the raw and edited cuts, vertical-first, with the hook variants separated so they can be swapped and tested independently. Then it is a paid social problem, and a much easier one.
Enough to test several distinct angles rather than several edits of one. A useful first batch covers a handful of genuinely different reasons to buy, with more than one creator voice across them. A failed angle teaches you something about the market; a failed edit teaches you nothing. Once one angle wins, you scale variants of it.
Creator profiles carry audience language and city splits, so a batch can be commissioned in Hindi, Hinglish, English or a regional language — often the same angle in several at once. For brands considering a new market, that is one of the cheapest possible tests: the creative exists before any media budget is committed.
UGC work is some of the most consistent paid work in the network — no audience size requirement, since nothing is being posted to your followers. Rates are negotiated on your behalf and paperwork is settled before you shoot. Join the creator network.
(01) — Formats
Vertical-first, hook-separated, built to be tested against each other rather than admired.
A real person saying why it worked. The oldest format in advertising and still the hardest to beat on cold traffic.
Show the thing working. Essential where the product is unfamiliar and a sentence of copy cannot carry it.
Packaging, first impression, texture. Sells the arrival experience as much as the product itself.
Open on the frustration your buyer already has. The highest-converting structure for most D2C categories.
Where results are visible and claims are honest. Strong proof, and worth the compliance care it requires.
One body, many openings. The cheapest way to multiply an asset that is already performing.
(02) — FAQ
UGC here means content shot by a creator for the brand to use — the creator is not required to post it to their own audience. You are buying the asset and the usage rights, not the reach. Influencer marketing buys the reach: the creator publishes to their followers. UGC is usually cheaper per asset because no audience is being rented, and it is what most brands actually need for paid ads.
Yes — usage rights are agreed in writing before anything is shot, and paid-media licensing is the default for UGC briefs. Term and territory are stated in the contract, so you know exactly what you can run, where, and for how long. Retroactively buying rights for content already posted is far more expensive, which is why we settle it up front.
Enough to test several distinct angles rather than several edits of one. A useful first batch covers a handful of genuinely different reasons to buy — price, speed, ingredient, occasion, objection — with more than one creator voice across them. Then you scale variants of whatever wins instead of guessing again.
After the brief and creator selection, product shipping is usually the long pole rather than filming. Creators shoot in their own space with their own kit, which is why UGC turns around in a fraction of the time a studio shoot takes. We manage briefs, deadlines and revisions so you are approving cuts rather than chasing them.
Yes. Creator profiles in our network carry audience language and city splits, so a batch can be commissioned in Hindi, Hinglish, English or a regional language — often the same angle in several, which is one of the cheapest ways to test a new market before committing media budget to it.
(03) — Also from Sanero
(04) — Contact
Tell us the product and where the content will run. We will scope a batch and quote rates in full.